Hints Towards an Essay on Conversation
Jonathan Swift (30 November 1667 – 19 October 1745) was an Anglo-Irish satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories), poet and cleric who became Dean of St Patrick's Cathedral, Dublin.
Swift is remembered for works such as A Tale of a Tub (1704), An Argument Against Abolishing Christianity (1712), Gulliver's Travels (1726), and A Modest Proposal (1729). He is regarded by the Encyclopædia Britannica as the foremost prose satirist in the English language, and is less well known for his poetry. He originally published all of his works under pseudonyms – such as Lemuel Gulliver, Isaac Bickerstaff, M. B. Drapier – or anonymously. He was a master of two styles of satire, the Horatian and Juvenalian styles.
His deadpan, ironic writing style, particularly in A Modest Proposal, has led to such satire being subsequently termed "Swiftian".
Hints Towards an Essay on Conversation
I know a man of wit, who is never easy but where he can be allowed to dictate and preside; he neither expecteth to be informed or entertained, but to display his own talents. His business is to be good company, and not good conversation, and therefore he chooseth to frequent those who are content to listen, and profess themselves his admirers.
And, indeed, the worst conversation I ever remember to have heard in my life was that at Will’s coffee-house, where the wits, as they were called, used formerly to assemble; that is to say, five or six men who had written plays, or at least prologues, or had share in a miscellany, came thither, and entertained one another with their trifling composures in so important an air, as if they had been the noblest efforts of human nature, or that the fate of kingdoms depended on them.
And they were usually attended with a humble audience of young students from the inns of courts, or the universities, who, at due distance, listened to these oracles, and returned home with great contempt for their law and philosophy, their heads filled with trash under the name of politeness, criticism, and belles lettres.
By these means the poets, for many years past, were all overrun with pedantry. For, as I take it, the word is not properly used; because pedantry is the too front or unseasonable obtruding our own knowledge in common discourse, and placing too great a value upon it; by which definition men of the court or the army may be as guilty of pedantry as a philosopher or a divine; and it is the same vice in women when they are over copious upon the subject of their petticoats, or their fans, or their china.
For which reason, although it be a piece of prudence, as well as good manners, to put men upon talking on subjects they are best versed in, yet that is a liberty a wise man could hardly take; because, beside the imputation of pedantry, it is what he would never improve by.
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